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Sig Ruman - 04JUN17 Sketch of the Day Profile

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Sig Ruman - 04JUN17 Sketch of the Day Profile
(Media: graphite pencil on bristol paper)

Siegfried Albon "Sig" Ruman
(October 11, 1884 – February 14, 1967) billed as Sig Ruman, was a German-American actor known for his portrayals of pompous and often stereotypically Teutonic officials or villains.

Born in Hamburg, German Empire, he studied electrical engineering before serving with the Imperial German Army during World War I. After his emigration to the United States in 1924, his acting career blossomed. Befriending playwright George S. Kaufman and theater critic Alexander Woollcott, he enjoyed success in many Broadway productions.

Ruman became a favorite of the Marx Brothers, appearing in A Night at the Opera, A Day at the Races, and A Night in Casablanca. His German accent and large stature kept him busy during World War II, playing sinister Nazi characters in a series of wartime thrillers. During this period, he also appeared in several films by director Ernst Lubitsch, a fellow German émigré, including Ninotchka (1939) and To Be or Not to Be (1942). He played the role of Professor Herman Von Reiter in Shining Victory (1941), an adaptation of an A. J. Cronin play. Ruman continued his trend of playing over-the-top German characters later in his career for Lubitsch's protege Billy Wilder, appearing in Wilder's films The Emperor Waltz (1948), Stalag 17 (1953), and The Fortune Cookie (1966).

According to Leonard Maltin in the DVD commentary for A Night at the Opera, Ruman had modified his screen name from Siegfried Rumann to Sig Ruman in an attempt to make it a little less German-sounding, to lessen potential anti-German prejudice against him.

Despite declining health during the 1950s and 1960s, Ruman continued to find work, making many guest appearances on television. He died of a heart attack on February 14, 1967, in Julian, California.

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RD-DD1843's avatar
Wonderful character  actor, as "Herman Gottlieb" in "A Night At the Opera" or as the dog veterinarian, who is using the new methods of his colleague Dr. Freud on Emperor Franz Josef's pooches as Schoenbrun Palace.  In his last outing for Billy Wilder (in "The Fortune Cookie") he's the Viennese medical specialist who spots from the start that Jack Lemmon is faking his paralysis condition (despite all the modern tests that have been given to him), and recommends a good old fashioned method: throwing Lemmon into a pit full of man-eating beasts.  What if he isn't shamming?  he's asked.  "We lose the patient, but we have found an honest man!", he replies. Great response.